Roman Torture and Executions

© Copyright Vittorio Carvelli 2016

The ancient Romans executed enemies, traitors and criminals in a number of gruesome ways.The Romans always considered that the punishment should fit the crime' - and so arsonists were burned to death, those who stole food were disemboweled, thieves who stole precious metal objects had molten metal poured down their throat, and thieves had various arms and legs cut off, while spies had their eyes put out with red hot irons, ears cut off, and tongues cut out. Those who committed  sexual crimes were anally impaled and castrated, often losing both testicles and the penis.
The most well known form of Roman execution was crucifixion. The practice of crucifixion probably originates with the Persians. Alexander the Great and his military officers probably brought it back from the Mediterranean, most likely from Egypt and Carthage. The Romans took it from there, learning the method from the Carthaginians, and then improving upon it. Without question, at the height of the Roman Empire it was practised with a high degree of efficiency, and was used often to execute enemies of Rome, as well as slaves and other non-citizens. During the third Servile War (Servile Wars 135-71 B.C.) the Romans executed six thousand slaves, all simultaneously, along the whole length of the Appian Way from Capua to Rome.Crucifixion became a part of Roman culture, and was the preferred method of execution for their enemies, and several Roman authors even wrote about it, including Cicero, Livy, and Tacitys. Crucifixion is a torturous, drawn out and very slow death, and the techniques used to affix a victim to a cross would ensure that death could be up to several days in coming. As practised, it was also almost invariably a very painful and a very humiliating death. For a man to scream and beg and cry out for mercy was considered extremely demeaning.In Roman times men were supposed to die with honour, bravely, and preferably in battle or at least fighting, with their heads held high even as they were speared or beheaded, or even hanged, but men being crucified almost never died with honour. In fact, many didn't even die as men - being castrated during their execution.There is historical evidence that indicates that most men that were executed on the cross were stripped naked, and were exposed to large crowds, and were invariably crucified at a spot where they were sure to be widely seen.In fact, naked crucifixions were the norm. Of course, humiliation and a degrading death were part of the method.It was a death to be feared, and it was considered so demeaning and so humiliating that in ancient Rome it was forbidden to crucify a citizen. No Roman citizen could be crucified, under any circumstance, or for any reason, regardless of his crime. That alone indicates how heinous a death it was considered to be. Once the man was sentenced, he was doomed, and there was no reprieve, and no hope. The crosses used for execution were usually in two pieces, although sometimes individuals were crucified on trees, and there were enough variations that it is hard to be specific about a particular norm. Usually, the crosses were in two parts. The vertical posts, called "stipes" were usually permanently mounted into the ground.Contrary to many artists portrayals, usually these posts were not very tall, because as long as the man being crucified couldn't touch the ground with his feet, then the lower he was the easier it would be to taunt, mutilate and further torture him. The man being executed was often made to carry the heavy cross piece, usually on his back, with his two wrists tied out along the beam, so that he couldn't put it down or drop it.He was then made to walk, often naked or wearing only a loincloth, through the town or city, to his place of execution.If he stopped or faltered then he was beaten or whipped to keep him going.This cross piece was called the "patibulum" and it could be mounted to the vertical post either at the very top, forming a "T" shaped cross, or into a groove, in what we today would think of as a more classic cross.Other cross designs were used however, and some men were even crucified to trees when it was more convenient to do so. The Romans used various methods to affix the condemned man to the cross. Certainly, many were probably just tied in place, their wrists bound to the patibulum and their ankles similarly tied to the stipe. However, for the worst offenders, crude nails were used. These metal spikes were an especially cruel method and perhaps that's why the Romans favoured them. The only recovered skeleton of a man that was actually crucified still has a crucifixion spike driven through its right ankle, with its leg bones broken. The recovered artefact also shows a smaller flat piece of wood under the head of the nail to insure that the man couldn't pull his tissue through to free himself, regardless of how hard he struggled. Without question though, many were nailed to cross, with the spike going between the two major long bones of the arm right where they attach to the wrist. Some men were only secured by their wrists, and they were just allowed to hang from their arms until they expired. However, the death process would occur much faster when that method was used, and since this usually wasn’t desired almost always the feet were also attached to the upright post.This would stretch out the execution, and prolong the man's suffering immensely.Normally the feet were also nailed to the upright post.There are several methods that appear to have been used.Based on the archaeological finds, two nails were at least sometimes used, one for each foot, and the man's legs were nailed to the sides of the upright beam, with one spike driven sideways straight through each one of his heels. The only recovered skeleton of a crucified man was nailed in this manner, as there is a six inch spike still embedded in one heel bone and part of the wood cross is still attached.
© Copyright Vittorio Carvelli
Another method appears to have been to use a single, longer nail, and then driving it straight through one foot that was placed and held on top of the other.That long nail was then driven straight down through the top of the feet and into the upright post underneath.
The amount of flex that was allowed in the legs was all important, and was the single most important item that would determine the length of suffering the condemned would have.
If the legs were bent in such a manner that victim could fully straighten them, locking his knees, then he could 'stand', and take the weight off of the wrists more easily, alleviating much of the suffering that would otherwise be caused.
However, if the legs were nailed with a twist, or the feet were bent downward with the toes pointing at the ground, then it would prevent the man from rising up to the point he could lock his knees.
The victim could still lift himself, but only with his muscles, and he would have to strain to hold himself upward to take the pressure from his arms and the nerves punctured by the nails.
Of course, that was desired, and research indicates that the Romans usually did it that way.
By pointing the toes downward and nailing the man's feet through the top and then through the arches, attaching them securely to the post, it would be impossible for the crucified man to lock his knees.
The same thing could be accomplished by folding his legs slightly backwards, with bent knees, before nailing them individually at the ankles.
Either way would ensure a long torturous death.
Of course, hanging from these nails, and onto his median nerve, would be an indescribable torment that would have no end.
The more weight the man put on his wrists, the more pain he endured.
Hoisted up, and hanging that way, the condemned was now "crucified."
After that, his dance of death would commence, to the delight of those watching, and it would go on and on for many hours, and for some, even days.
As the victim would sag down, and put more weight on the nails in his wrists, the pain would become unbearable, and he would pushe himself upward, by placing his weight on the nail or nails that have been driven through his feet.
So, up and down the victim would move.
Up and down, dancing the death dance that all crucified men danced.
They did not hang quietly, and they did not stay still.
In fact, there is some indicators that when they were first placed on their cross most men struggled fiercely, jerking and thrashing as they fought to find some position to alleviate the terrible pain that consumed them.
Of course, there was no position at all that offered relief, but they would thrash and jerk and try to find it anyway.
The pain was too much to comprehend, and while they had the strength the screams would come as they jerked and fought with every muscle.
And of course, being naked, they would make quite a spectacle.
The mechanism of death that occurs during crucifixion is slow in coming, but it is relentless and in the end it is always lethal. leaving him in deep, driving pain, that has no bounds and with no relief in sight.
If there was a need to have the man dead by a certain deadline, or because of an upcoming religious holiday, then breaking the man's legs was a sure way to make it happen.
Of course, that wasn't normally desired, and the longer the criminal suffered and more miserable his death was for those watching, the better was the deterrent value. 

© Copyright Vittorio Carvelli
There was one final variable that the Romans added, and it was called the "sedile."
Sediles were not used on all crucified criminals, but they were definitely used and their use is documented in some sources.
The sedile was a seat of sorts, that allowed the condemned man to take some of the weight off of his shoulders and arms, which drew out the death process and prolonged his suffering. Using a sedile could more than double the time it would take for the man to die.
Probably the most common sedile was a simple rod, or plank, that jutted straight out of the upright post and went between his legs.
It wasn’t supposed to be comfortable.
The condemned man could sit down on it, to a degree, sharing the load on the nailed feet.
Certainly, it would crush his genitals as he did so, but that only added to his humiliation.
To increase the suffering of the condemned, sometimes the sedile was made out of a flat piece of wood, that had been sharpened to a fine edge, and there is some evidence that some sediles were even made of a triangular shaped piece of iron.
One can only imagine the pain and the damage that would have been caused if a man collapsed downward onto such a seat, slamming his naked genitals into the sharpened piece of wood or metallic bar that was jutting out between his legs and iis quite possible that a few prisoners crucified in that matter probably slowly castrated themselves as they struggled.
There was also a more sinister, and certainly more humiliating type of sedile that was used, mainly for the punishment of the most serious crimes, and in particular the rape or sexual assault of Roman citizens.
Instead of a plank or post that went between the legs, a fairly stout rod, with a large bulbous end, was used, made of wood or metal, that was positioned into the condemned man's rectum so that he was seated onto it, and it was positioned actually inside him.
This type of sedile carried a greater portion of his weight, which would significantly prolong his suffering.
It was also totally humiliating for a man to be impaled on such a seat, and there is little doubt that sexually it was stimulating, creating an even greater and more demeaning death for the condemned.
When his arms became so fatigued that he allowed himself to relax and fall downward, the sedile rod would go deep in his anus, literally buggering him in a very real and embarrassing way.
As it pushed deep inside of him, taking his weight, it would literally push all the way into his prostate.
Of course, hanging down that far, the pain would then shoot through his wrists, and he would feel the need to use his thigh muscles and his arms and pull himself upward, lifting himself and in so doing pulling the rod upward within his rectum.
Up and down he would struggle, all the time moving himself up and down over the rod in his anus.
It would be impaling him, and in a way it would be almost like it was moving too, up and down inside of him, literally raping him.
For the man being crucified in front of men and women and children, this had to be without doubt the most demeaning and most humiliating punishment possible. 

And, as a result of buggering himself on the sedile, the criminal almost invariable had an erection, and there are some historic paintings where there are erections on men being crucified.
One can only speculate how many times a crucified slave might ejaculate in front of the crowd, as he jerked and twisted and struggled up and down on the sedile.
If the crucified man had committed a sexual offence, then once he had ejaculated a number of times, the executioners would often castrate the man – usually removing his penis first, and then his testicles.
The testicles would be hung round the dying man's neck on a cord, and the penis, often still in a state of erection, would be inserted into his mouth.
A small sign was almost always placed above the man so that anyone seeing him would know what he had done and see the consequences of his actions.
A crucified man's death is slow in coming, creeping upon him, making him feel every bit of misery and pain and humiliation right up to the very end.
Finally, his muscles can take no more, and he rises up less and less.
He can't breath, but tries to anyway, struggling and gasping and in a panic as his heart races and he feels himself suffocating
His muscles ripple and quiver as he tries to find the strength to lift himself and to take another breath.
Fluid may begin to fill his lungs.
He knows its happening too, and he fights it, fights it but there is nothing left within him to fight it with.
So, with open eyes and the agony of a man who cannot breathe and who has no muscles left to lift himself again, slowly death comes to him.
The Romans executed criminals rather that imprisoning them.
Prisons were generally places where individuals were securely kept while awaiting trial or execution.
Many criminals were executed on the roadsides leading to major cities, however the more natorious, and often also the more attractive criminals were ordered by the magistrates to be executed 'In ipsa harenae' - in the arena.
Such executions were undertaken by the owner of the local arena - often the municipality - or, in the case of 'The Story of Gracchus', the local benefactor of the town - in this case, Gracchus, who owns the amphitheater in Baiae, near the Bay of Neapolis.
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held in the 'Amphitheatro Gracchi' in Baiae
in January of the year AD 70
all models are over 18 years of age

EXECUTIONS

© Copyright Vittorio Carvelli 2016
'Noxii' - Crucified, Impaled and Emasculated
This form of execution involved the condemned criminal being tied by his outstretched arms on a horizontal iron frame, which also consisted of an thick iron upright which was inserted into the anus. Spherical iron weights (another set of 'balls') were then tied to the boy's genitals - and the number of weights was slowly increased during the torture. This helped to pull the boy down onto the iron upright penetrating his rectum, while, at the same time, subjecting him to excruciating testicular pain. Eventually the boy's genitals would be cut off - and his throat cut - (see below).
for the full story and more images go to
The Story of Gracchus
© Copyright Vittorio Carvelli 2016
'Noxii' - Crucified, Impaled and Emasculated
and Dead
for the full story and more images go to
The Story of Gracchus
Chapter XXIII - Ludi Honorum Vespasiani


© Copyright Vittorio Carvelli 2016

Double Crucifixion and Emasculation
Two local slave-boys(from Baiae) were convicted of raping a girl. The boys were executed side by side. They were not impaled - but first forced to fuck one another publically in the arena -in front of the iron frames on which they were to be executed. Their genitals were then tightly bound, giving both boys horribly strong and painful erections. Weights were then hung from their bound balls - the weights being slowly increased. The boys never imagined that an evening's 'fun' would end so horrifically, and finally the pain in their balls is so appalling that they end up squealing to their executioners to be castrated in order to end the unendurable pain. Eventually both boys get their balls chopped off, but each lad loses his stiff cock as well. Sexless, they are left to writhe for some time before the are subjected to the horror of having their bellies sliced open. With their guts hanging from them, the boys are finally put out of their awful misery by having their throats cut.
for the full story and more images go to
The Story of Gracchus


© Copyright Vittorio Carvelli 2016
Hung, Impaled and Emasculated
youth convicted of raping a young boy
the youth is finally executed by having his back broken

for the full story and more images go to
The Story of Gracchus

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IMAGES FROM THE CELEBRATORY GAMES
held in the 'Amphitheatro Gracchi' in Baiae
in the Summer of the year 70

EXECUTIONS

© Copyright Vittorio Carvelli 2016
Condemned Slaves Garotted in the Arena

for the full story and more images go to
The Story of Gracchus


© Copyright Vittorio Carvelli 2017
Condemned Slaves Bound and Garotted
During the Cremation of Varus

for the full story and more images go to
The Story of Gracchus


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EXECUTIONS from an ARENA in ROME

© Copyright Vittorio Carvelli 2016
'NAKED CRUCIFIED SLAVE BOY'
Vittorio Carvelli

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© Copyright Vittorio Carvelli 2016
'ARENA CRUCIFIXION'
Vittorio Carvelli

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© Copyright Vittorio Carvelli 2016
'ARENA CRUCIFIXION'
Vittorio Carvelli

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CRUCIFIXION  
Crucifixion is a form of slow and painful execution in which the victim is tied or nailed to a large wooden cross and left to hang until dead. It is principally known from antiquity.
Crucifixion (or impalement), in one form or another, was used by Egyptians, Persians, Carthaginians, Macedonians and Romans.
Alexander the Great is reputed to have crucified 2,000 survivors from his siege of the Phoenician city of Tyre, as well as the doctor who unsuccessfully treated Alexander's friend Hephaestion.
Some historians have also conjectured that Alexander crucified Callisthenes, his official historian and biographer, for objecting to Alexander's adoption of the Persian ceremony of royal adoration.
In ancient Rome crucifixion was used for slaves, outlaws, and enemies of the state.
Under ancient Roman penal practice, crucifixion was also a means of exhibiting the criminal's low social status. It was the most dishonorable death imaginable, originally reserved for slaves, hence still called "supplicium servile" by Seneca, later extended to citizens of the lower classes (humiliores).
The citizen class of Roman society were almost never subject to capital punishments; instead, they were fined or exile.
Ancient Greek has two verbs for crucify: ana-stauro (ἀνασταυρόω), from stauros, "stake", and apo-tumpanizo (ἀποτυμπανίζω) "crucify on a plank," together with anaskolopizo (ἀνασκολοπίζω "impale"). In earlier pre-Roman Greek texts anastauro usually means "impale."
The English term cross derives from the Latin word crux.
The Latin term crux literally means "in general, a tree, frame, or other wooden instruments of execution, on which criminals were impaled or hanged.
The English term crucifix derives from the Latin 'crucifixus' or 'cruci fixus', past participle passive of crucifigere or cruci figere, meaning "to crucify" or "to fasten to a cross".
Crucifixion was often performed to terrorize and dissuade its witnesses from perpetrating particularly heinous crimes. Crucifixion was usually intended to provide a death that was particularly slow, painful (hence the term excruciating, literally "out of crucifying"), gruesome, humiliating, and public, using whatever means were most expedient for that goal.
Crucifixion methods varied considerably with location and time period.
The Greek and Latin words corresponding to "crucifixion" applied to many different forms of painful execution, from impaling on a stake to affixing to a tree, to an upright pole (a crux simplex) or to a combination of an upright (in Latin, stipes) and a crossbeam (in Latin, patibulum).
While a crucifixion was an execution, it was also a humiliation, by making the condemned as vulnerable as possible. 
Although artists have traditionally depicted the figure on a cross with a loin cloth or a covering of the genitals, the person being crucified was usually stripped naked. 
Writings by Seneca the Younger state some victims were mounted on a sedile (a euphemism - meaning 'seat', - but actually a short, thick stake, affixed to the upright of the cross, which was inserted into the victim's anus. 
The result of the use of the sedile would be that as the victim jerked up and down, trying to breathe, they would unintentionally sodomize themselves on the sedile. 
Despite its frequent use by the Romans, the horrors of crucifixion did not escape mention by some of their eminent orators. Cicero for example, described crucifixion as "a most cruel and disgusting punishment", and suggested that "the very mention of the cross should be far removed not only from a Roman citizen's body, but from his mind, his eyes, his ears."

© Copyright Vittorio Carvelli 2016

'Cleon - Emasculated, Impaled and Crucified'
(in the Woods between Neapolis and Baiae - 70 AD)

for the full story and more images go to
The Story of Gracchus

please note that the following are 'computer generated' images
no 'live' models were used.

© Copyright Vittorio Carvelli 2013
'PREPARATIONS for a CRUCIFIXION'
Vittorio Carvelli

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The condemned slave has been stripped completely naked and laid out on the ground in front of the upright of the cross where he will be crucified. Condemned to be crucified for sexual crimes, the young lad is to suffer the ultimate punishment of being anally impaled and castrated (actually emasculated, as he will lose his penis and his testicles), while he hangs on the cross. He has already been raped by each of the five young executioners and, before being nailed to the crosspiece, the struggling boy is roughly impaled through his anus by the wooden  sedile. He instantly gets a massive erection, and as he struggles with his executioners he becomes so aroused that has an involuntary orgasm, and 'cums' violently, squirting his thick, hot 'boy-seed' over the grass. This, of course, is just the first of a number of humiliating ejaculations that he will experience before his penis and testicles are sliced off, and he is left to bleed to death as he writhes in humiliating agony, sexless and squealing. 
© Copyright Vittorio Carvelli 2013
'NAKED CRUCIFIED SLAVE BOY'
Vittorio Carvelli

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Stripped completely naked, the young slave is to suffer the ultimate punishment of being impaled and castrated while he hangs on the cross. He has already been raped by his three young executioners and, the struggling boy has been impaled through his tight little butt-hole by a large wooden  sedile. He instantly gets a massive erection, and starts dribbling 'pre-cum'.In order to prolong the boy's suffering and humiliation, he is given a stimulant, combined with an aphrodisiac. The result is that the young lad gets uncontrollably and obscenely excited, and violently jerks himself up and down on the wooden sedile, fucking himself senseless. All he wants to do is 'cum', and very quickly the thick post in his arse-hole stimulates his prostate, and he starts splattering the grass beneath the cross with his thick, sticky 'spunk'. After an hour or so, when he has eventually fucked himself 'dry', his dribbling, jerking penis, which is still massively erect, is slowly sliced off with a red hot knife, to the accompaniment of the young lad's girlish squealing. The slave's still stiff cock (the hot knife has cauterized the root) is then forcibly stuffed into his mouth. A heavy weight is then attached to his bulging, hairless scrotal sack (ball-bag) and, as he squeals in agony and begs for mercy, his balls are very slowly ripped from his already bloody groin. The severed  'ball-sack' , still containing the young lad's bollocks, is then threaded with  a leather thong and tied round his neck. The boy's mutilated cock-stump is then re-opened, after being previously cauterized, and slowly, the squirming, naked lad - who is still jerking up and down and fucking himself - dies, humiliated and emasculated from loss of blood.
© Copyright Vittorio Carvelli 2013

'ROMAN CRUCIFIXION'
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© Copyright Vittorio Carvelli 2013
'RAPE BEFORE A CRUCIFIXION'
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SLAVE-BOYS CRUCIFIED and TORTURED
The Arena at Capua
please note that these are 'computer generated' images
no 'live' models were used.

'YOUNG JASON CUMS TO A STICKY END'

a brief tale of execution from the arena

© Copyright Vittorio Carvelli 2013
'NAKED CASTRATED AND IMPALED CRUCIFIED SLAVE BOY'
Vittorio Carvelli

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Condemned for raping the daughter of a Roman citizen, cute young Jason is first paraded round the arena wearing only a brief thong. This was intended to tease and titillate the crowd, as they knew that the bulging contents of young Jason's tiny thong would soon be on display for all to see. After showing off the boy, Jason is then stripped 'bollock-naked'. "No ! Don't strip me !" Jason pleads as his already stiffening prick jerks up as the pouch of his thong is pulled away. He then has his hands tied behind his back and is forced to bend over with his legs spread. "Oh shit ! NO !", the naked boy squeals as one of the guards then 'opens up' the lad's 'hole' with a thick wooden dildo. The guards then extract the dildo, but he is left bending over, and the arena-guards proceed to rape him. The guards then re-insert the dildo, but it is hardly needed as Jason is ridiculously aroused, with his slim, but very long cock bouncing up and down provocatively. Finally he carried over to the cross, screaming for mercy, and is nailed by his arms and legs. The arena-guards then masturbate the 'horny' young lad, while also pumping the dildo in his arse. Delirious with pain, but also with a boyish, animal lust, Jason squirms helplessly as his balls are fondled and his cock is pumped mercilessly.After repeatedly 'cumming' the groaning young lad eventually runs out of 'spunk'. Still with a massive 'hard-on', however, 'horny' Jason then has his bulging, hairless ball-sack sliced off, and hung round his neck. "Shit ! You've cut my fucking bollocks off !", the poor naked boy screams, stating the obvious - much to the amusement of the crowd. After hanging on the cross, naked, impaled and castrated, squealing and crying in agony, the poor boy is finally finished-off by being disembowelled, and then having his throat cut.

'THE DOUBLE EXECUTION OF FELIX & MARINUS'

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© Copyright Vittorio Carvelli 2013
'NAKED, CASTRATED AND IMPALED CRUCIFIED SLAVE BOYS'
Vittorio Carvelli
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Boy sex-slaves are required to refrain from all sexual activity when they are not 'performing' for their master. These two boys, Felix and Marinus, have been having secret 'private' sex sessions.When this is discovered, the boy-slaves are punished by being sold to the arena, on the understanding that they will be executed. It is decided to crucify the boys together, on the same cross.After the lads have been led into the arena and stripped bollock-naked, they are forced to have one final sex act in public, with the dark-haired boy, Marinus, fucking the young blond boy, Felix. While Felix bends over, with his legs spread, Marinus 'takes' his young friend from behind. The fuck is short lived, but while Felix wanks himself to a noisy orgasm, Marinus 'ploughs' his friend vigorously, and 'pulls out' at the end to splatter the blond boy's back with spunk. After the sex, which pleases the crowd greatly, Felix, who so young that he has no pubic hair, and who was the passive partner, is crucified upside-down, by his legs, which is less painful. The older boy, Marinus, who was the instigator of the forbidden sex acts, and the 'top' (as he was in the arena), is hung in the normal position, by his arms. Both boys squeal loudly as they are impaled through the anus with a short, but very thick wooden rod, and both boys immediately get massive erections, despite their obvious youth.Marinus, being the most guilty, is also to be castrated after being nailed up and impaled. The skinny lad screams for mercy, but this doesn't stop his executioner from slowly and roughly cutting off the poor boy's smooth, well-filled 'ball-sack'. As naked, impaled and crucified Marinus sobs, his severed balls are hung round his neck. Despite losing his bollocks, however, the 'horny' young lad remains obscenely erect, and when the arena slaves 'pump' the rod in his arse-hole, Marinus groans and 'cums' for the last time. Meanwhile Felix, the blond boy is left 'intact', and spends his time upside-down on the cross with a huge, curved 'hard-on', dribbling spunk from his obscenely jerking penis.During the first half hour little Felix, who still has his bollocks intact, and is massively erect, repeatedly gets the rod in his anus 'pumped' by the arena slaves, and repeatedly cums until all his spunk is drained. After an hour of writhing and squealing, both naked boys are then finally finished off by having their throats cut.
'TWIN EXECUTION'
a brief tale of execution from the arena
© Copyright Vittorio Carvelli 2013
'NAKED, IMPALED AND CRUCIFIED TWIN SLAVE BOYS'
Vittorio Carvelli
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Cassian and Cassius are twin slave-boys. Guilty of stealing and guilty of various sexual obscenities, the incorrigible lads are condemned to die in the arena. Being twins, the lads are to be crucified together, on the same cross. First, however, as they make and unusual spectacle, they are stripped 'bollock-naked', and required to put on a 'sex-show' for the arena crowd. This involves them taking turns to fuck one another, and suck each other off. They are then crucified, with Cassius being nailed up first. He is positioned with a large wooden sedile forced up his anus, and immediately gets a huge 'hard-on' as he dribbles 'pre-cum' from his throbbing cock. Cassian is then nailed up with his legs spread either side of his brother's shoulders, which leaves Cassius's face in Cassian's arse. A large wooden rod is then hammered into Cassian's tight little arse-hole. While Cassius fucks himself on the sedile, and repeatedly 'cums', Cassian writhes on top of his struggling brother. Both lad's end up spattered with each other's spunk, and after over thirty minutes of squealing, squirming and 'cumming', the arena slaves cut the twin's throats.


'THE IMPALING OF LITTLE GAIUS'

a brief tale of execution from the arena

© Copyright Vittorio Carvelli 2013
'NAKED, IMPALED AND CRUCIFIED SLAVE BOY'
Vittorio Carvelli
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Young Gaius had been caught sexually abusing his master's youngest son. His punishment was execution in the public arena. For the sake of variety young Gaius was crucified with two arms nailed to one side of the crossbar and one leg nailed to the other side of the crossbar. His other leg was nailed to the upright, leaving his legs spread obscenely wide, to give the crowd a good view of his prick, his balls, and his impaled arse-hole. Before being nailed to the cross the naked boy had been raped by two of the executioners. Gaius had been sexually 'penetrated' before by his master, and by his master's older sons. This 'penetration' was different, however, as the executioners were vicious and violent, and the rapes gave cute little Gaius a monstrous 'hard-on', which only got more intense when he was impaled with a thick wooden rod. After squirming on the cross for about twenty minutes Gaius's surprisingly large, hairless balls were viciously garroted, and a heavy weight was attached to the leather lace. Gaius was struggling, which caused the thin lace to tighten, but it took about ten minutes for the sharp lace to cut through the young Gaius's smooth, bulging ball-bag, castrating him. At the moment of castration his massively engorged cock jerked up convulsively, and squirted out his final load of 'boy-juice'. While pathetically squealing for his 'bollocks', Gaius was then fully emasculated, by having his dribbling jerking - and still stiff - prick sliced off. The stiff member was then stuffed into his mouth to stop him squealing. Because of his position poor young Gaius, now a skewered eunuch, was a prime candidate for disemboweling, and when his belly was sliced open his steaming guts instantly fell out, hanging practically to the ground. After another twenty minutes squealing, screaming Gaius died from loss of blood.

'CRUCIFIXION and IMPALING of a TEENAGE SLAVE-BOY'

© Copyright Vittorio Carvelli 2013
'NAKED, IMPALED AND CRUCIFIED SLAVE BOY'
Vittorio Carvelli
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CRUCIFIXION of a YOUNG THIEF
a brief tale of execution from the arena

© Copyright Vittorio Carvelli 2013
'CRUCIFIED SLAVE'
Vittorio Carvelli

(based on a painting by Lovis Corinth - 1858-1925)

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"Oh shit ! I'm fuckin' cummin !", the 'bollock-naked' slave, with a huge stiff cock,  groans, as he pumps out his rich, creamy seed, which splatters uselessly on the sand below the cross. Wearing just a tiny subligaculum, consisting of a little leather pouch, which just about held and covered his bulging genitals, this slave is tied to a cross, and has a sedile, (wooden post protruding from the upright of the cross), inserted into his hairy anus. Jerking up and down on the cross in agony, the naked slave unintentionally, yet viciously, fucks his own arse-hole on the wooden post. The slave's hairy anus is ripped open by the huge wooden post, and when  the rough wooden post penetrates to his prostate it gives him a huge erection. His massive, stiff, jerking cock, with it's foreskin pulled back, and the gleaming 'head' exposed, forces it way out of the tiny leather pouch of the G-string, much to the amusement of the crowd. The piss and sweat sodden pouch of the leather G-string then falls away, leaving the slave's bulging balls as well as his huge stiff prick exposed. Eventually the horribly and obscenely excited, bollock-naked slave, with a huge 'hard-on', groans loudly and 'cums', spurting his thick, creamy spunk high into the air. As it then spatters in gleaming, creamy gobs onto the sand, the crowd cheer. Later, after continuing to fuck himself on the wooden pole, as he writhes in agony, he has two more 'spunk-ups', splattering even more of his useless 'seed' on the sand. The naked, horribly 'horny' slave, despite being crucified, seems to be 'getting-off' too much on being impaled,  and his executioners decide to prevent him from 'cumming' again. "Right - you horny shit ! As you can't stop fuckin' cummin' we'll cut your fuckin' bollocks off !" - "Shit - NO ! NOT my balls !" - the naked, writhing slave squeals hysterically, one of the executioners grabs hold of his hairy ball-sack, which still contains his huge, bulging testicles.With one swift slice of his knife the struggling slave is instantly made a eunuch ! - "Fuck ! My fuckin' bollocks !", the mutilated slave screams, as he writhes up on the cross, almost 'popping' the wooden post out of his frantically twitching, hairy arse-hole - but not quite - and he then sinks down on the post, groaning loudly as the knob rams up into his prostate - forcing another squirt of spunk from his horribly jerking cock. The screaming, wriggling slave, however, continues to have a huge hard on, despite having had his massive testicles cut off, - "Fuckin' cunt's still got a hard-on - an' he's got no fuckin' bollocks ! - Better cut his fuckin' cock off as well - an' finish the job !" - "No - Please ! Not my prick !... Let me die a man !... For fuck sake !Some of the crowd nearest to the arena-slaves overhear the conversation. "Cut the fucker's 'tool' off !" - "Castrate the cunt !" - "Slice off his prick !", they call out. Again the arena slave ignore the pathetic pleas of the naked slave. One of the arena-slaves grabs hold of the slave's huge, violently jerking cock. It's slimy with spunk, and slips from the arena slave's grip. He grabs the massively swollen, waving penis again, and the slave groans and immediately 'cums', much to the arena-slave's disgust. Trying to ignore the spunk that has squirted onto his hand, the arena-slave places his knife at the hairy root of the struggling slave's huge 'tool' and slices down on it with his knife. - "You CUNT ! - My cock ! .... You fuckin' cut it off !", the wriggling slave squeals in disbelief, looking down in horror at his mutilated, sexless crotch, while the crowd cheers and laughs. Then arena-slave drops the slime-covered cock, which, even as it falls to the sand,  continues to dribble the last of the poor, castrated slave's spunk ! The sexless slave then has his cock stuffed into his mouth, and his huge severed hairy balls are hung round his neck. His dark pubic 'bush' - all that is left to show he was once a man - is then burnt off, the thick curly hairs disappearing in sparks and curls of acrid smoke, leaving his mutilated groin hairless. He is finished-off by being disemboweled, (he has his belly sliced open and his stinking, steaming guts pulled out), and he eventually bleeds to death, screaming for mercy in his final, horrific moments.
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'ANCIENT ROMAN TORTURE'


© Copyright Vittorio Carvelli 2013

Petram Tortured in the Ludus

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© Copyright Vittorio Carvelli 2013

Glykon Tortured in the Ludus

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© Copyright Vittorio Carvelli 2013

Slave-Boy Tortured and Killed in the Arena
the 'Amphitheatro Gracchi' in Baiae

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© Copyright Vittorio Carvelli 2013

Condemned Slave Tortured in the Arena
the 'Amphitheatro Gracchi' in Baiae

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© Copyright Vittorio Carvelli 2013

Condemned Slave Tortured in the Arena
the 'Amphitheatro Gracchi' in Baiae

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© Copyright Vittorio Carvelli 2013

Condemned Slave Tortured in the Arena
Emasculation and Disemboweling as part of a Tableaux
the 'Amphitheatro Gracchi' in Baiae

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© Copyright Vittorio Carvelli 2013

Teen Slave-Boy Tortured in the Arena
the 'Amphitheatro Gracchi' in Baiae
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© Copyright Vittorio Carvelli 2013

Naked Slave Cums as he is Garroted


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'The STORY of GRACCHUS'

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THE TORTURE AND EXECUTIONS OF THE CONSPIRATORS
AGAINST MARCUS OCTAVIANUS GRACHUS
taking place during the
in the Amphitheatrum Gracchi - Baiae - 71 AD
in the presence of Titus Vespasianus and Marcus Octavianius Gracchus


© Copyright Vittorio Carvelli 2013

Petram Lowered onto an Impaling Stake


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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Glykon Strapped to a Fucking Machine

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Petram - Hung, Impaled and Hard

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Servius - Roped, Hung and Hard

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Menelaus is Emasculated and Drowned

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Castrated Petram Cums as he is Garroted

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Petram - Castrated and Garotted
Lies Dead on the Sand of the Arena

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Glykon is Hung and Tortured

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'The STORY of GRACCHUS'
(New Chapter)


© Copyright Vittorio Carvelli 2013

Glykon is Executed by Disembowelling

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'The STORY of GRACCHUS'


© Copyright Vittorio Carvelli 2013

Servius is Executed by Flaying

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'The STORY of GRACCHUS'

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all images and logos © Copyright Vittorio Carvelli 2016

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more tales and images of Roman Executions coming soon !


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for more information about
ANCIENT ROME
Emperors, Religion, Sexuality, Gladiators and much more
(with images by Vittorio Carvelli)
go to
© Copyright Peter Crawford 2016

5 comments:

  1. Being sexually tormented, during crucifixion, may be the ultimate form of erotic stimulation; particularly if it is done publicaly.

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